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Steal me your €motion
Rygálová, Monika ; Országhová, MA Kristína (referee) ; Sterec, Pavel (advisor)
The text deals with ways and methods of creating my diploma thesis called Steal me your €motion. The diploma thesis deals with the relationship between machine learning and emotionality. To what extent is artificial intelligence able to undergo emotional relationships and experiences defined by the physicality and experience of the human body. The topic of the work is the creation of a (fictional) inhuman entity that longs to learn from people as many bodily acts as possible that will help it infiltrate the human community. In addition to reflecting the current level of scientific knowledge, I bring an element of fiction and fiction.
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physicality of painting
Teperová, Natálie ; Klímová, Barbora (referee) ; Kvíčala, Petr (advisor)
A Coatrobes is an object about painting, about a big body. About the mutual interweaving of color, stroke, stains with the material of linen canvas. And the most of Coats are attached on the chipboard, which copies the final shape of the canvas. The canvas is attached to the table with Velcro, which allows KH to unclip from the boards and gives the possibility of wearability.
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Germ and potential
Kachtíková, Michaela ; Houser, Milan (referee) ; Mikyta, Svätopluk (advisor)
Bachelor's thesis deals with topics such as presence, perception of corporeality and oneself appear in the context of the process of creation of a work. The evolving themes reflect subjective present vision and fascination with materiality, in order to achieve sustainable art and life. It asks questions of aesthetic - philosophical nature. What is the relationship between art and sustainability, the relationship between work, its creator, and objects? The work that was created is a material artifact, a record of being in the past and in the present. It is like a record arc, a photograph of a given reality, created to understand the past in the future. It is a reflection of the inner nakedness, internal processes, inner emotions and thoughts which shape the inner aspects of the psyche, expand into space, crawl, fill, and have their own distinctive life.
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attributes of corporeality
Lukešová, Eva ; Bartlová, Milena (referee) ; Gabriel, Michal (advisor)
My thesis titled Attributes of corporeality is a continuation of my thinking on the topic of identity. Now I approach identity as a category, not as an identity that belongs to a particular person. I consider the question of how is identity shaped in a postmodern, globalized world and how is it related to corporeality. My answer is based on the reality I know, on the current state of society. However, the intention of my work is above all to express my idea, which is rather a utopian scenario than anything else.
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Women's reflections of the body during pregnancy, childbirth and early motherhood
Pecháčková, Veronika ; Wolfová, Alžběta (advisor) ; Országhová, Kristína (referee)
This bachelor's thesis examines ways in which first-time mothers reflect their corporeality during pregnancy, childbirth and early motherhood within one year of childbirth. Theoretical framework of the research is grounded in anthropology of the body from which it borrows key concepts: gender, body image, subjectivity and bodily capital. The thesis is based on the research that uses qualitative research strategy, the data was generated using a semi-structured interview method with 10 actors. The analytical procedure involved data transcription, segmentation, analysis and interpretation of the data in relation to the established theoretical concepts. From the analysis of the interviews, four themes emerged that play a key role in women's corporeality in the defined period. These are motherhood, femininity, physical capacities and partnership. Each of these themes has a different salience at different stages of the maternal experience and their prominence in corporeality generally overlaps. Within each theme, viewed as a level of subjectivity, women reflect social norms through body image, the experience of the body through embodiment, and the practice of body functioning through bodily capital. In particular, the dominant role in corporeality is given to the dimension of motherhood. The different...
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Mobilized Emotions: Corporeality and Emotionality in Radical Environmental Movements
Rousek, Martin ; Novák, Arnošt (advisor) ; Wolfová, Alžběta (referee)
This diploma thesis analyses the dynamics and significance of emotions and body in radical environmental movements and through qualitative empirical research analyses these factors in a specific movement. The aim of this thesis is not only the analysis itself, but also to open a debate on the topic of emotions and body in social movements, and consequently emotions and body in the broader political landscape as such, as this topic is not explored well in Czech context. After a theoretical exploration of this issue, the data obtained from semi-structured interviews with members of the radical ecological movement Limity jsme my are analysed and interpreted using different concepts from relevant literature. Keywords emotions, environmental movements, direct action, body, emotionality, corporeality, radical movements
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Interpretation of Corporeality in Jan Patočka's Philosophy
MARŠÁK, Richard
The diploma thesis deals with corporeality in Jan Patočka. The key passage of the work is the doctrine of the three movements of human existence - 1) the movement of anchoring, 2) the movement of defense and 3) the movement of truth. Patočka already outlined this problem in his habilitation thesis entitled "The Natural World as a Philosophical Problem" in 1936. It is an original approach, which was later further developed. A deeper analysis of Patočka's conception of corporeality leads to key questions of phenomenology, such as revelation, intersubjectivity or epoch.
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Phenomenology of body and corporeality
Míková, Martina ; Hogenová, Anna (advisor) ; Rybák, David (referee)
MÍKOVÁ, Martina. Phenomenology of body and corporeality. Prague: Faculty of Education, Charles University in Prague, 2012, pp. 84 Master Degree Thesis. The aim of the master thesis deals with the phenomenology of a body and corporeality. This is mainly the analysis of the arguments to distnquish a body and soul based on the Descartes 'Meditations on the First Philosophy' and 'The Passions of the Soul'. The introduction to the Cartesian dualism, which is the introduction to the phenomenology of a body and corporeality, is followed by the analysis of key passages in 'Phenomenology of Perception' by the French phenomenologists M. Merleau-Ponty who accents the importance of human corporeality as the essential and determining condition of human being. The third section deals with the philosophy of movement because the world and a man are in relative motion, based on Patočka's texts 'Body, Community, Language, World'. The final chapter of the thesis is based on the issue of the game as a symbol of the world presented by Eugen Fink. Keywords: Descartes, perception, Pexis, body, corporeality, corporeal scheme, movement, game.
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The analysis of movie characters of cyborg-woman from the perspective of the postmodern and post-theoretical approaches to the body and the identity constitution.
Bubeníčková, Kateřina ; Fišerová, Michaela (advisor) ; Kobová, Ĺubica (referee)
The thesis focuses on the analysis of the basic types of the film characters portraying artificial women: creatures who combine "femininity" (humanity) and technology, and who show female sexual characteristics or features that are stereotypically perceived as female-like (e.g. female cyborgs, female androids, female robots). The characters are analyzed and approached from the perspective of postmodern philosophy and post-theory studies; the forming of their body and identity is analyzed on the account of the narrative. The aim of the thesis is to explore whether the film representations of female cyborgs are similar to real cyborgs in the sense that they bring liberalization from the point if view of posthumanism and cyberfeminism, or whether they can only be perceived as the prime form of the Foucaltian body-as-machine, i.e. perfectly controllable precise technicist bodies which are created by the current power dispositions. The characters are divided into four categories, based on their predominant physical and "social" functions: a sexbot, a domesticated artificial woman, a destructive artificial woman and an emotional/intelligent artificial woman. The following identification and interpretation of the body, identity, relationships and the narrative structures are based on the theoretical...
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The Organs of Perception and Expression in Samuel Beckett's Dramatic Works
Parin, Giulia ; Pilný, Ondřej (advisor) ; Wallace, Clare (referee)
This thesis focuses on three plays written by Samuel Beckett: Play, Not I and Footfalls. Corporeality is the central theme of these works, which also connects them to an important and celebrated source of study and inspiration for the dramatist, The Comedy of Dante Alighieri. The influence played by Dante's descriptions of the body, particularly in the cantica of Inferno, is visible in Beckett's works for the ways in which the organs of perception and expression are treated at both textual and theatrical level. In the three plays the activities of mouth, eyes, ears (and less relevantly, nose) constitute the narrative focus of the text, while the sensorial aspects derived by their presence on stage determine the kind of exchange at play between actors and spectators. Staging immobilized, constricted and barely visible characters who, narrating obscure, uncertain stories, obsessively try to make a sense of their existential and physical conditions, the author gives life to a metatheatrical language rooted on instability and doubt. After the introductory opening chapter, the second chapter looks at the language of Dante's Inferno and at its thematization of corporeality, introducing the continuities between the poem and Beckett's drama. The third chapter juxtaposes the characters and the uncertain...
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